In a cluttered office, Chad Kassem,
owner of Quality Record
Pressings (and Acoustic Sounds,
Analogue Productions
and several other vinyl-related businesses), said to me, “Sit here,” pointing
to his own chair. As I watched him load one of his reissues of a Shelby
Lynne record onto the player he commanded, “No, face the speakers.” As the
music began, I instinctively glanced around for Shelby Lynne herself – her
voice was so clear and immediate. I likened the experience to the first time I
put on glasses. “I didn’t know you were supposed to see this well!” I exclaimed
to my mother.
At home, we play old records. By
“old,” I mean the type you pick up at a garage sale or thrift store. I enjoy
the round, mellow sound of vinyl but I never imagined how much of the sound I
was missing. Analogue Productions has reissued many old favorites from the Doors
to Nat
“King” Cole to Elvis
Presley, and even some relative newbies like Norah
Jones. Chad started Quality Record Pressings because his small company,
Analogue Productions was dropping to the back of the line at record pressing
companies as records have become a popular way to release albums at large
record labels. For a vinyl-o-phile like Chad, the only option for pressing his
own records was to make the best pressings possible. They now not only press
their own reissues and the artists they produce, they also press records for
almost every major label out there. They have been featured on NPR
and in the New
York Times with awed confusion. What is the best record pressing company
doing in rural Kansas?
It is what I call historical
accident. There is no reason that the company is here except that it is where
Chad moved in 1984 from Lafayette, Louisiana. He did not move to start a
business, or for some spectacular incentive package, but, “to get sober.” He
started buying and reselling records. As he expanded he moved from his
apartment, to a house, to a commercial space. Then he started adding more
businesses to his portfolio. He reissued vinyl albums. Then he produced his own
artists, such as legends like Honeyboy
Edwards and Weepin’
Willie as well as young blues artists like Noah
Wotherspoon and Marquise
Knox in his Blue Heaven Studios,
a renovated church down the road from Chad’s offices. His most recent addition
has been Quality Record Pressings (QRP).
“You can say it’s in the middle of
nowhere or you can say it’s in the middle of everywhere.” Chad said about
Salina Kansas. Perhaps that was his pitch to Gary Salstrom (pictured above
inspecting a master after the initial bath). Gary left RTI in Southern California to join Kassem
and manage QRP. He takes the master through the plating process to produce the
stampers. The stampers are then used in the room next door to stamp the records
using vintage record presses (new record presses have not been produced since
the early 1980s). The presses have been re-engineered and include electronic
sensors to gauge temperature so that the operator now has even higher quality
control of the record. The records are tested for quality and the ones that do
not meet the exacting standards are recycled.
Chad brought in Gary to manage the
plant but the people who operate the machines are not specially trained in
record making. Many have backgrounds in HVAC systems and are comfortable with
the types of operations that record machines perform. The re-engineering of the
machines was also done locally. The innovation happening “in the middle of
everywhere,” is a combination of Chad’s vision, Gary’s expertise and about 50
employees who were able to adapt to a “new” product. Would it be possible for
this company to exist anywhere?
Probably not. Chad is committed to Salina because of his employees and his daughter. He likes the quality of the workforce and the quality of the schools. Though he speaks longingly of Southern Louisiana, he seems disinclined to move his family and employees down there despite its well-established blues music industry. “You meet a child here and they are very educated and very smart and very well spoken, you know….This is a good place to raise children, I think….The schools are better. It’s a big plus.” When I look at a company like Chad’s suite of businesses and listen to his story, I see the future of rural America. It is not a call center or an auto plant or a distribution center that will save Small Town, USA. It is the guy out of rehab that has a passion for records.
Probably not. Chad is committed to Salina because of his employees and his daughter. He likes the quality of the workforce and the quality of the schools. Though he speaks longingly of Southern Louisiana, he seems disinclined to move his family and employees down there despite its well-established blues music industry. “You meet a child here and they are very educated and very smart and very well spoken, you know….This is a good place to raise children, I think….The schools are better. It’s a big plus.” When I look at a company like Chad’s suite of businesses and listen to his story, I see the future of rural America. It is not a call center or an auto plant or a distribution center that will save Small Town, USA. It is the guy out of rehab that has a passion for records.